| fifty frenchmen can't be wrong ( |
This is just so gorgeous, and so full of FEELING. It makes me want to go out and read all the fic about these women even though I mostly have no idea what's happening. And I really love the way you capture the music--how it shifts smoothly between emphasizing the beats in some parts and the words in others. Watching it makes me want to sway or tap my feet or just move somehow.
Some favorite moments, that I have not already enthused over--
"it's late, I'm still at the sewing machine..." This is one of the parts that really makes me want to watch the show because it gives such a clear intense picture of the character.
"It was a mercy killing, no..." I love the replay-with-difference thing, the same event cut in three different ways.
"Tough love and a tape measure" -- I just can't look away from this, it's so--it looks so RIGHT. It makes my eyes happy.
"That's just poking holes," the first one--that shockingly intimate scene, so powerful, and I love how it's nestled between those two clips of text on a screen--which, I don't actually know who's talking to who in those, but it feels like it's--hmm. I don't know, really, I just know that it works SO WELL. That whole sequence coming between those two clips.
The fades are wonderful, the very sparing use of them in most of the vid (I think...one? Possibly two?) and then more at the end. They match the song perfectly. And I love love love the last clip, it's so powerful.
Some favorite moments, that I have not already enthused over--
"it's late, I'm still at the sewing machine..." This is one of the parts that really makes me want to watch the show because it gives such a clear intense picture of the character.
"It was a mercy killing, no..." I love the replay-with-difference thing, the same event cut in three different ways.
"Tough love and a tape measure" -- I just can't look away from this, it's so--it looks so RIGHT. It makes my eyes happy.
"That's just poking holes," the first one--that shockingly intimate scene, so powerful, and I love how it's nestled between those two clips of text on a screen--which, I don't actually know who's talking to who in those, but it feels like it's--hmm. I don't know, really, I just know that it works SO WELL. That whole sequence coming between those two clips.
The fades are wonderful, the very sparing use of them in most of the vid (I think...one? Possibly two?) and then more at the end. They match the song perfectly. And I love love love the last clip, it's so powerful.
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